1903–1932 · Austria

Wiener Werkstätte

Also known as Vienna Workshops, Vienna Secession design, Hoffmann–Moser workshop

The Vienna Workshops founded by Josef Hoffmann and Koloman Moser — a luxury craft cooperative whose furniture, metalwork, and graphics replaced Art Nouveau's curves with a refined grid of squares, dots, and black-and-white geometry.

Geometric CraftSecessionist
Josef Hoffmann 'Sitzmaschine' adjustable bentwood armchair, c. 1905 (V&A)

14GTR, CC0, via Wikimedia Commons — https://commons.wikimedia.org/wiki/File:Adjustable_Hoffmann_armchair%2C_V%26A_London.jpg

Across disciplines

About the style

The Wiener Werkstätte was a production cooperative founded in 1903 by architect Josef Hoffmann, designer Koloman Moser, and banker Fritz Waerndorfer, an outgrowth of the Vienna Secession that aimed to bring artist-designed objects of the highest craft into daily life. Reacting against both shoddy machine goods and the floral excess of Jugendstil, its designers favoured a cool, rectilinear geometry: the grid, the checkerboard, the repeated square, and a stark black-and-white palette became hallmarks, softened by fine materials and meticulous hand finishing. The workshop produced everything—furniture, silver, glass, ceramics, textiles, jewellery, bookbinding, and graphics—toward a Gesamtkunstwerk, most completely realized in Hoffmann's Palais Stoclet in Brussels. Pieces like Hoffmann's perforated 'Sitzmaschine' adjustable chair and his geometric silver baskets bridged Arts and Crafts ethics with the abstraction that would define modern design, though their luxury pricing kept them exclusive.

Notable examples

  • Josef Hoffmann 'Sitzmaschine' adjustable bentwood armchair (c. 1905)
  • Josef Hoffmann pierced sheet-metal fruit basket / Rundes Modell flatware (c. 1905)
  • Koloman Moser silver and glass tableware for the Werkstätte (c. 1904)
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Anatomy of Wiener Werkstätte

The numbered markers call out the design elements that define this style. Hover or tap a marker to see its breakdown.

Josef Hoffmann 'Sitzmaschine' adjustable bentwood armchair, c. 1905 (V&A)

14GTR, CC0, via Wikimedia Commons — https://commons.wikimedia.org/wiki/File:Adjustable_Hoffmann_armchair%2C_V%26A_London.jpg

  1. The Sitzmaschine's seat and back are framed by panels pierced with a grid of square holes, turning structural lightening into geometric ornament.

  2. Small turned wooden balls fill the gaps between curved bentwood members, a Hoffmann signature detailing structural junctions.

  3. The 'sitting machine' back reclines on a movable bar set into the side rails, the adjustable mechanism exposed as part of the design.

  4. Hoffmann's metalwork baskets use a regular pierced square lattice and lightly hammered surface rather than cast floral ornament.

How Wiener Werkstätte connects

Styles form a network, not a tree. Explore the direct neighbours below — click any to travel the map one hop at a time.

  • Parallel / cross-current
  • Reaction against
  • Influenced by

Parallel / cross-current Vienna Secessionthe production arm of the Vienna Secession circle

Reaction against Art Nouveau Productreplaced Jugendstil floral curves with rectilinear grid geometry

Influenced by Art Deco Productits luxe geometric craft helped seed the geometry of Art Deco

Art Nouveau Product influenced by Wiener Werkstätte — the Vienna Workshops grew out of, and reacted against, Jugendstil

Art Deco Product influenced by Wiener Werkstätte — Vienna Workshops' geometric luxury craft fed directly into Deco

Describe it like this

Prompt-ready vocabulary for describing or re-creating the Wiener Werkstätte look.

Wiener WerkstätteJosef Hoffmannsquare grid patterncheckerboard motifSitzmaschine chairpierced metalblack and white geometryVienna craft