Baroque Interior
The theatrical court interior of absolutist Europe — grand enfilades dripping with gilt, marble, ceiling frescoes and mirror, staged for awe.
41named styles of rooms and interiors — from historic period rooms to mid-century, Memphis, Japandi, and today's aesthetics. Filter by family, era, or formal traits — or search by name, designer, or keyword.
41 styles
The theatrical court interior of absolutist Europe — grand enfilades dripping with gilt, marble, ceiling frescoes and mirror, staged for awe.
The intimate, asymmetric French salon of the Louis XV era — pastel boiserie, gilded scrollwork, shellwork curves and mirrored grace.
1760s–1830The ordered, antiquity-inspired interior that swept away Rococo — symmetrical rooms with classical orders, urns, swags and restrained color.
1714–1830The proportioned, panelled interior of eighteenth-century Britain — classical symmetry, dado-rail walls, sash windows and dignified restraint.
1795–1837The elegant, archaeologically exotic English interior of the early 1800s — Greek, Egyptian and Chinese motifs, striped silks, brass inlay and sabre-leg furniture.
1837–1901The dense, layered, pattern-on-pattern interior of industrial Britain — dark woodwork, heavy drapery, clutter of objects and an eclectic mix of revivals.
The art-for-art's-sake interior of late-Victorian taste-reformers — refined color harmonies, Japanese-inspired motifs, ebonised furniture and 'artistic' restraint.
The honest, handcrafted interior of the reform movement — exposed oak, built-ins, hand-blocked wallpapers and truth to materials over machine ornament.
1890–1910The sinuous, nature-driven interior of 1900 — whiplash curves, flowering tendrils, stained glass and furniture, walls and light fused into one organic whole.
1920s–1939The glamorous, geometric interior of the Jazz Age — lacquer, chrome and exotic veneers in bold sunbursts, zigzags and stepped forms, machine-age luxury made stylish.
The European fantasy of the East — lacquered panels, hand-painted pagoda-and-bird wallpapers, blue-and-white porcelain and fretwork, an imagined China for the salon.
The nostalgic American interior reviving colonial and early-Federal taste — symmetrical panelled rooms, reproduction Windsor and Chippendale furniture and patriotic restraint.
1919–1933The functional, machine-age interior of the German Bauhaus — open plan, white walls, tubular-steel furniture and primary-colour accents, form following function.
The optimistic postwar living room of open plans, walls of glass, and warm wood paired with sculptural molded furniture — bringing indoor-outdoor modernism into the middle-class American home.
1945–1970The bright, pared-down Nordic home of pale wood floors, white walls, and warm textiles — humane functionalism tuned to long dark winters with light, craft, and cozy restraint.
1930s–1960sThe glamorous, theatrical interior of old Hollywood — high-gloss lacquer, mirrored and brass surfaces, bold jewel tones, and a touch of Regency formality scaled for the silver-screen lifestyle.
The exuberant Space-Race living room of boomerang motifs, starburst clocks, molded plastic pods, and bold pop color — domestic optimism styled like a rocket-age advertisement.
The reductive interior stripped to essentials — monochrome surfaces, empty volume, and hidden storage, where light, proportion, and a few precise objects carry the entire room.
1950s–1970sThe raw-concrete interior of board-marked walls, exposed structure, and monolithic built-ins — an honest, heavy, sculptural environment that makes the building's bones the decoration.
The witty, color-clashing interior that revolted against minimalism — historical quotation, exaggerated columns, pastel-and-bold palettes, and ironic ornament reveling in 'less is a bore.'
The riotous Milan interior of squiggle-printed laminates, primary colors, and toy-like asymmetric furniture — Sottsass and the Memphis Group turning the room into a defiantly playful collage.
The interior that celebrates engineering — exposed ducts, gridded steel, factory and laboratory fittings repurposed for the home, where the building's services become its decoration.
The serene, scrubbed-clean room of the Shaker communities — whitewashed walls, peg rails, built-in cupboards, and spare furniture, where order and utility become a kind of devotion.
The warm rural French room of exposed beams, terracotta floors, gleaming copper, and faded toile — rustic farmhouse materials softened by a touch of provincial elegance.
1920s–presentThe sun-baked villa interior of whitewashed and stone walls, terracotta floors, arched openings, and wrought iron — cool, earthy, and tuned to a warm coastal climate.
1920s–presentThe desert adobe room of earthen plaster walls, exposed viga beams, a beehive kiva fireplace, and Pueblo and Navajo textiles — warm, handmade, and rooted in the high desert.
The deliberately mixed room that layers periods, cultures, and styles into one personal whole — collected objects, varied patterns, and global finds unified by a confident curatorial eye.
An aesthetic of converted factories and warehouses that celebrates raw structure — exposed brick, ductwork, concrete, and steel — as finished decor. It turns the bones of post-industrial buildings into the look itself.
A hybrid of Scandinavian functionality and Japanese minimalism, blending warm hygge comfort with wabi-sabi restraint. The result is a calm, low, natural-material interior that prizes craft and emptiness alike.
An interior philosophy rooted in the Japanese aesthetic of finding beauty in imperfection, impermanence, and incompleteness. It favours weathered, handmade, natural materials and quiet, unforced rooms.
A free-spirited, layered, eclectic look that mixes global textiles, plants, vintage finds, and warm earthy color into a relaxed, personal interior. It prizes individuality and abundance over matching sets.
2018–presentAn internet-born aesthetic romanticising simple rural and pastoral life, translated into soft, nostalgic interiors full of florals, vintage textiles, dried flowers, and handmade, homespun comfort.
A light, airy, sea-inspired look built on whites, blues, and natural fibres that evokes breezy beach-house living. It blends nautical references with relaxed comfort and abundant natural light.
A hugely popular blend of rustic farmhouse warmth with clean contemporary lines — shiplap, neutral palettes, black accents, and reclaimed wood. It pairs country comfort with modern simplicity.
A balanced blend of traditional and contemporary design — classic forms stripped of fuss and paired with clean lines and neutral palettes. It aims for timeless, comfortable, broadly appealing rooms.
A design approach that connects interiors to nature through living plants, natural light, organic materials, and natural views to improve wellbeing. It treats greenery and daylight as core design elements.
2010s–presentA bold, abundant reaction against minimalism that embraces saturated color, layered pattern, collected objects, and visual richness. Its mantra is 'more is more', curated into joyful excess.
A moody, scholarly aesthetic romanticising classic learning, old libraries, and Gothic collegiate atmosphere through dark woods, leather, books, and rich tones. It evokes candlelit study and timeworn erudition.
A millennial revival of 'granny chic' traditional decor — chintz, scalloped edges, skirted furniture, and needlepoint — updated with fresh color and a knowing, layered sensibility. Nostalgia meets youthful confidence.
A pared-back contemporary look built on the principle that 'less is more' — clean lines, neutral palettes, hidden storage, and uncluttered space. It strips interiors to essential form, light, and material.
A Danish-rooted interior mood built around warmth, comfort, and intimacy — soft textiles, candlelight, and pared-back natural materials that make a room feel safe and snug.
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